Prompti:

SCENE CONTEXT [LOCATION IN ONE LINE, e.g. a city square / a beach promenade / a parking lot] on a [TIME OF DAY + WEATHER, e.g. clear sunny afternoon]. A person web-swings in from the background, releases, backflips once and lands in a superhero crouch in the mid-ground, [camera-left / camera-right / center] of frame. One continuous real-time take, 4 seconds. ACTIVE REFERENCES @Image1 — the exact first frame: the empty location, identical framing, identical light. 100% matches the reference. @Image2 — the exact last frame: [AGE + BUILD, e.g. man around 30, athletic build], [HAIR], [FACIAL HAIR OR NONE], wearing [TOP], [BOTTOM], [SHOES], [ANY CARRIED ITEM, e.g. black backpack on both shoulders]. Final body pose, position in frame and eye-line to camera 100% match the reference. LOCATION MAP Foreground: [WHAT IS CLOSEST TO CAMERA, e.g. cracked asphalt with painted line markings]. Midground: [WHAT SURROUNDS THE LANDING SPOT, e.g. low hedges, benches, a lamp post to the right] — state which side of frame each sits on. Background: [THE BIG STRUCTURES, e.g. two apartment blocks with an open gap between them] and the gap or open stretch the swing arrives through. [SKY DESCRIPTION] above. Color comes from [MATERIAL 1] and [MATERIAL 2] under [SOFT / HARD] light. Camera stands at the near edge of the space, low, looking slightly up. FIRST FRAME / BLOCKING Frame one is @Image1 exactly: the location empty, no people, everything untouched. Composition holds [WHAT FILLS THE UPPER PART] in the upper two thirds and [THE GROUND SURFACE] in the lower third for the entire shot. Movement path: the figure enters from [WHERE IN THE BACKGROUND], swings toward the camera along a short descending arc, and finishes on the ground in the mid-ground at [EXACT SPOT, e.g. just right of frame center, in front of the third paving line], exactly where the person stands in @Image2. FORMAT MODE One continuous shot, the camera does not cut on its own. OPTICS Wide shot, 84° FOV, rectilinear, vertical 9:16 frame. Natural motion blur on the swinging body at speed, the background staying sharp. FOV constant, no drift. CAMERA Locked-off tripod, lens about 60 cm above the ground, tilted slightly up. The camera holds absolutely still for the whole take — framing identical from first frame to last, only the subject moves, growing from a small figure in the background to filling the mid-ground. Deep focus holds both the background and the landing spot. Wide tonal latitude, soft highlight roll-off, neutral color science. ACTION 0.0s to 0.4s — the location sits empty and still, exactly as in @Image1, [ONE SMALL LIVING DETAIL, e.g. leaves moving faintly / a flag shifting]. 0.4s to 2.2s — the figure swings into frame from [ENTRY POINT], riding a single web line: a thin translucent white silk strand with faint criss-cross fiber texture, its upper end anchored to something high and solid above and outside the top of the frame, held taut and flexing under the body weight. The swing behaves like a real pendulum, fastest at the bottom of the arc at roughly 45 km/h, decelerating on the rise, body trailing behind the line, growing rapidly larger while closing on the camera. 2.2s to 2.4s — near the top of the arc the web is released; it whips and recoils upward out of the top of frame. 2.4s to 3.4s — airborne, knees tuck to chest, arms pull in tight, one clean backflip, then the body opens out and the legs extend toward the ground. 3.4s to 3.8s — the last two meters drop and the landing happens in one smooth continuous motion, knees absorbing the impact, one knee dropping low, one arm sweeping up and back overhead, the other arm punching forward toward the camera with fingers in the web-shooting gesture, head lifting, eyes straight into the lens. 3.8s to 4.0s — the pose holds, [CLOTHING/GEAR] settling, exactly the frame of @Image2. The entire take plays at constant real-time speed, 1x from first frame to last. PERFORMANCE Real effort in the body: neck and forearm tendons standing out during the swing, jaw set on release, a small involuntary exhale at impact, shoulders settling in the held pose. Skin shows pores and a flush across the cheeks and nose, eyes alive with soft catch-lights from the sky. PHYSICS Authentic pendulum mass and momentum through the arc; the web carries real tension, stretches slightly at the bottom of the swing and snaps back with elastic recoil on release; convincing rotational inertia through the backflip, the tuck accelerating the spin and the extension slowing it; a solid grounded landing with weight driving through both feet, shoes gripping [SURFACE], a faint [dust / sand / water spray] puff at contact and a soft contact shadow appearing underneath; [LOOSE CLOTHING ITEM] ripples and [CARRIED ITEM] lifts then settles, hair pressed back by airflow. LIGHTING [LIGHT SOURCE AND CONDITION, e.g. flat overcast daylight / hard low afternoon sun from camera-left], [KELVIN, e.g. 5600K]. [SHADOW BEHAVIOR: soft and faint directly beneath objects / long hard shadows stretching to camera-right]. Exposure locked for the sky so the ground and structures sit a stop below it. Light stays identical from first frame to last. AUDIO Whoosh of the swing rushing in and growing louder, a soft web thwip and elastic twang on release, air rushing past through the flip, a solid thud of shoes on [SURFACE], quiet [LOCATION] ambience, no dialogue. STYLE Photoreal live-action footage, tripod-locked realism, high detail, sharp focus, fine natural grain, natural color. OUTPUT SETTINGS Vertical 9:16, 4 seconds total, real-time speed throughout, single unbroken take. POSITIVE LOCKS First frame is @Image1 exactly; last frame is @Image2 exactly. Framing, background, [KEY LANDMARK IN FRAME] and ground surface stay identical for the whole take — the camera stays locked on its tripod. The web line keeps one fixed anchor point above and outside the top of frame for the whole swing. Wardrobe stays constant: [REPEAT THE OUTFIT IN 5-8 WORDS]. Landing position sits [SIDE] of center in the mid-ground, matching @Image2. All four beats — swing, release, backflip, landing — complete inside the 4 seconds at real-time speed. [SKY AND LIGHT CONDITION] holds from first frame to last.